Google has made its Gemini Omni Flash generative AI model available via an API, enabling enterprise teams to create and edit video content through natural language conversations, streamlining workflows for corporate and marketing media.
The Society of Motion Picture and Television Engineers (SMPTE) has removed paywalls from its entire catalog of technical standards, aiming to accelerate adoption and improve interoperability across the media industry.
The acquisition by Hollywood post facility and software developer MTI Film of Mango New Edit signals a strategic move to integrate robust remote dailies and Avid-based offline editing into a single, end-to-end post-production offering.
The upcoming FIFA World Cup is setting new benchmarks for large-scale sports broadcasting, centralizing massive technical operations to deliver 104 matches across three countries.
Qvest has introduced two new open-source projects designed to make scaling media processing more efficient within modern, software-defined broadcast environments using Kubernetes.
NEP Group has added two new mobile production units, enhancing its capabilities for remote and HDR live sports broadcasts, which could reshape how large events are covered and budgeted.
Swiss broadcaster Canal Alpha has adopted Harmonic’s cloud-native XOS Advanced Media Processor to streamline its 24/7 channel playout and direct-to-consumer delivery, aiming for lower operating costs and a reduced hardware footprint.
A new joint initiative from Amazon MGM Studios and AWS aims to accelerate animation production workflows by providing funding and access to a proprietary generative AI platform.
A new AI platform aims to streamline generative content creation by converting scripts into structured, production-ready prompts, potentially reducing rework and costs.
Argentine sports broadcaster Torneos has updated its multichannel playout system, preserving current workflows while enabling a smooth transition to UHD and SMPTE ST 2110 IP production.